
Julius Rodriguez: Let Sound Tell All - CD
On his debut album Let Sound Tell All, 23 year old musician Julius Rodriguez stirs a cauldron of gospel, jazz, classical, R&B, hip-hop, experimentation, production and sheer technical wizardry to create a stunning debut that eschews classification, but commands attention. As an 11 year old kid, Rodriguez honed his jazz chops at Smalls Jazz Club, wowing elders while wearing a hoodie and banging out Ellington. Fast forward to 2018 when he dropped out of Juilliard, shimmying off the rigid curriculum to tour with A$AP Rocky.
Fast forward to 2022, Rodriguez is on the cusp of a stellar release that weaves his life and influences - from Monk, Coltrane, Solange, James Blake, Sampha and more. Call him Gen-Z jazz, but when you hear Julius Rodriguez play âthe music,â as he calls it, itâs a modern sound, as fluent in history as it is aware of its contemporary context. His music dares to imagine a future of new standards and sonic excitement. This vanguard was raised in an atmosphere where pop and hip-hop and dance influenced their approaches to melody and harmony and rhythm, so of course it is part of their improvisational DNA. And thatâs what Julius Rodriguezâs Sound tells to whoever will choose to listen.
âGift Of The Moonâ is one of the first songs Rodriguez wrote - a vibing number marked by layered solos a la Roy Hargrove, George Martin-level experimentation and a tight synth melody. âTwo Way Streetâ is a combustible head-banger of a jazz tune with a nod to Coltraneâs high-octane Classic Quartet with an acid-trip of a production. Then you get taken to church with âWhen Grace Abounds,â a spiritual, self-reflective number that displays Rodriguezâs prodigious understanding of simple and profound melody. It starts as a duet between Rodriguez on electric piano and Hammond B-3 organ - itâs âa song I wrote at a time where I felt like I wasn't being the best version of myself yet, and still a lot of great things were happening to me. So itâs me being grateful for being in the situation I'm in, even though I felt like I didnât deserve it.â Drew ofthe Drew and Jon Castelli mix it into a ghostly, gospel-like wonder.
1. Blues At The Barn
2. All I Do
3. Interlude
4. Gift Of The Moon
5. Two Way Street
6. Where Grace Abounds
7. Elegy (for Cam)
8. In Heaven
9. Philipâs Thump
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Description
On his debut album Let Sound Tell All, 23 year old musician Julius Rodriguez stirs a cauldron of gospel, jazz, classical, R&B, hip-hop, experimentation, production and sheer technical wizardry to create a stunning debut that eschews classification, but commands attention. As an 11 year old kid, Rodriguez honed his jazz chops at Smalls Jazz Club, wowing elders while wearing a hoodie and banging out Ellington. Fast forward to 2018 when he dropped out of Juilliard, shimmying off the rigid curriculum to tour with A$AP Rocky.
Fast forward to 2022, Rodriguez is on the cusp of a stellar release that weaves his life and influences - from Monk, Coltrane, Solange, James Blake, Sampha and more. Call him Gen-Z jazz, but when you hear Julius Rodriguez play âthe music,â as he calls it, itâs a modern sound, as fluent in history as it is aware of its contemporary context. His music dares to imagine a future of new standards and sonic excitement. This vanguard was raised in an atmosphere where pop and hip-hop and dance influenced their approaches to melody and harmony and rhythm, so of course it is part of their improvisational DNA. And thatâs what Julius Rodriguezâs Sound tells to whoever will choose to listen.
âGift Of The Moonâ is one of the first songs Rodriguez wrote - a vibing number marked by layered solos a la Roy Hargrove, George Martin-level experimentation and a tight synth melody. âTwo Way Streetâ is a combustible head-banger of a jazz tune with a nod to Coltraneâs high-octane Classic Quartet with an acid-trip of a production. Then you get taken to church with âWhen Grace Abounds,â a spiritual, self-reflective number that displays Rodriguezâs prodigious understanding of simple and profound melody. It starts as a duet between Rodriguez on electric piano and Hammond B-3 organ - itâs âa song I wrote at a time where I felt like I wasn't being the best version of myself yet, and still a lot of great things were happening to me. So itâs me being grateful for being in the situation I'm in, even though I felt like I didnât deserve it.â Drew ofthe Drew and Jon Castelli mix it into a ghostly, gospel-like wonder.
1. Blues At The Barn
2. All I Do
3. Interlude
4. Gift Of The Moon
5. Two Way Street
6. Where Grace Abounds
7. Elegy (for Cam)
8. In Heaven
9. Philipâs Thump










